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Concentration of ownership has grown in Europe.
The legislation is effective and has become a model for many other countries (including Sweden itself in 1998). A further blurring of the EU’s policing of the information society is embedded in 95/46/EC where it is suggested that the law should not be applied to journalistic, publishing or artistic activities, and that anyone defining themselves as a journalist or artist would, for the purposes of the legislation, be considered as one. The law was made slightly clearer in 1999 when it was altered to say that minor violations should not be prosecuted, although the Parliament still seemed to be suggesting that the law would be applied on an arbitrary, ad hoc basis.
For a long time after the fall of their authoritarian regimes, their penal codes still allowed intrusions into press practices under the cover of protecting power (both political and economic) from defamation. As a consequence, relations between the media and political power assumed various forms: the consistently belittling of, and displays of paternalistic attitudes towards, journalists; a systematic lack of response to media revelations of official corruption (Gross 2002); open physical and psychological intimidation ‘accusing the media of everything from irresponsibility […] to being unpatriotic by not toeing the official line or by not being sufficiently nationalistic’ (Gross 2002: 60).
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