By Hartmut Obendorf (auth.)
In this age of complexity, easy, robust structures are a great of interplay layout. This e-book introduces minimalism and is helping to make feel of relief, and in doing so unravels the various mysteries of simplicity. Minimalism turns into a necessary instrument to aid visualise the straightforward, and to unveil and instantiate styles for designing simplicity.
Divided into 5 components, the 1st promises an creation to the concept that of minimalism and overviews the most topics lined within the ebook; half retraces the heritage of minimalism in artwork and tune illustrating the breadth of suggestions underlying works characterised as minimum, and exhibiting the recurrence of those attributes in numerous disciplines. 4 types of minimalism for interplay layout are outlined. The 3rd half connects the recommendations built within the booklet to present considering in HCI, interpreting norms, ideas and instructions. partially 4, the simplicity of actual designs is tested from a minimum standpoint, and instruments for various types of aid in layout are mentioned. the ultimate part returns to extra theoretical discussions of the notions of minimalism, re-evaluating the product and technique threads for the adjustments caused for the certainty of minimalism and the relation of aesthetics and minimalism in layout. The e-book concludes with a glance at concerns and obstacles that lie unanswered, and a few in their attainable resolutions.
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Additional info for Minimalism: Designing Simplicity
The Mathematical Experience. Birkha¨user Verlag. dezwozhere. (2003). On a minimalist approach to design. 10. Dijkstra, E. W. (1982). How do we tell truths that might hurt? SIGPLAN Not, 17(5), 13–15. Dubinsky, J. (1999). Fifteen ways of looking at minimalism. SIGDOC Asterisk Journal of Computerised Documents, 2(23), 34–47. Gelernter, D. (1999). Machine Beauty: Elegance and the Heart of Technology (Repr ed) (Masterminds). New York, NY: Basic Books. Gibson, B. (2005). First on TMO – Apple Exec: Shuffle Grabs 58% of Flash Player Market; What Cell Phone Threat?
Reinhardt tried to abolish all external references from his titles as from his paintings, most of which are simply signed ‘‘Untitled’’, ‘‘Abstract’’, or ‘‘Red/ Blue/Black Painting’’—often on the back of the canvas, not always including the date. His aim was to create ‘‘the last paintings which anyone can make’’ (Lippard, 1981, 158); he tried to achieve maximum reduction. His ‘‘Twelve Technical Rules’’ read as follows: ‘‘No texture . . No brushwork or calligraphy . . No forms . . No design . .
In his massive, stark works, optical qualities of minimalism are mirrored. , 290; Fig. 11). The monumental nature of most of Serra’s later works tends to ignore the spectators, or at least make them feel insignificant; in his Stacks, massive sculptures ‘‘do not threaten to collapse on the spectator, enclose him in a vise, or even block his exit. , 291). Fig. 11 Richard Serra: Strike (1970). # VG Bild+Kunst, Bonn 2008 Other artists took different and more inviting approaches to interacting with the audience.
Minimalism: Designing Simplicity by Hartmut Obendorf (auth.)